TELL US ABOUT WHAT YOU WORKED ON IN THE CULTUREHUB RESIDENCY. WHAT DID YOU DO IN THE CULTUREHUB LA STUDIO?…
Travel Notes from Kumasi and the Greater Accra Region
Photo by Fati Abubakar Three years ago, I was in Accra, Ghana to film The (In)visible Organ documentary. At that…
On writing
The past few weeks have been a battle between myself and my words. I’m working on another essay. This time,…
Press: “탈춤과 VR의 융합, 전통 예술의 가상 세계화를 꿈꾸다! 풀브라이트 연구 장학생 안드레아 신영 킴 인터뷰”
“안드레아 신영 킴은 가상성 구현과 기술에 중점을 둔 연구자이자 멀티미디어 아티스트인데요! 안드레아 신영 킴은 디아스포라나 여성, 공동 창작에 대해 관심을…
Origin of Somu Performance Reflections
On Saturday October 1, I married my artistic practice. By “married,” I rather mean to have embodied a virgin bride…
Mid-autumn full moon: a nexus of memory
Today was a day of a psychedelic amount of laughter and joy for being alive, running around the corners of…
“Spatial Thinking in Virtual Reality, Public Art, and Urbanization” forthcoming in the Journal of Public Space
“Spatial Thinking in Virtual Reality, Public Art, and Urbanization: How African artists are using virtual reality to construct critical narratives…
Thoughts on Buddha’s Birthday
To be high from living, drunken whilst sober, yet still so anxious to leave the swallowing depths of my inner…
Entering Collective Memory at the Seoul Institute of the Arts
Exactly two months have passed since I first arrived to Korea. Since then, it has been a process of finding…
Feminist Ontologies and Affect: Reframing Medical Objectivity with the Callascope
May 28, 2021 – El Aleph Festival de Arte y Ciencia (The Aleph Festival of Art and Science) How does…
ANDREA KIM 김신영 